Incidental Music for GMT The Play

It has come to my attention that amateur companies that are putting on the stage play version of Goodnight Mister Tom are having difficulties obtaining the recorded music that Composer Matthew Scott has written to be played between the scenes.

For those directors who wish to get hold of this music please email him here and ask him to invite you to his Dropbox where you will be able to access it.

To find out more about this please contact Debbie Simmons in the licensing department at publishers Samuel French on: 0207 255 4313. You can also email her here.
She will be able to help further.

A Reply To Fans Of The Hollis Family Books

Michele would like to thank all the fans of the Hollis Family books, particularly L. Tilly and C Sykes. They very kindly wrote reviews on Amazon of Cuckoo In The Nest, A Spoonful Of Jam and Impossible!

Here is her message to them:

“Dear L.Tilley and C.Sykes,

I am delighted that you both love the Hollis Family books (Cuckoo in the Nest, A Spoonful of Jam and Impossible!)
The Henry that Elsie marries is the main character in another of my books: Just Henry.
I hope you enjoy that book too.”

Michelle

Here are some of the comments and reviews: Read more >>>>

A Third Book For Barrington Stoke Publishers

Barrington_StokeMichelle is proud to have her third book published by Barrington Stoke, the foremost publisher of super-readable short fiction by some of the very best children’s authors and illustrators in the UK. It’s called The Front Room and has illustrations by Vladimir Stankovic.

Each title has a host of unique accessibility features to offer cracking reads to more children including reluctant and struggling readers and those with dyslexia or visual stress.

Click here to find out about all three books.

Mrs Beech

GMTLibretto“When I wrote Goodnight Mister Tom I knew a lot more about William’s mother than I revealed in the book. I didn’t write more about her because it was Tom Oakley and Willie Beech’s story.

Some years after it was published, I was working on the musical with the composer Gary Carpenter and I felt that I needed to write the lyrics for two songs to show not only how disturbed and frightened she was but also to reveal her broken childhood and what led her to commit suicide.

Meanwhile, as the musical was being performed there was talk of a TV adaptation and I was introduced to the screenwriter Brian Finch. After it was given the go ahead I brought up the subject of Mrs Beech. I knew he would need to write scenes for her and I didn’t want her portrayed as evil even though her actions were abusive. And I told him about the songs. Read more >>>>